The Horizons of Watercolor Painting Creation: Watercolor and Ink Wash in the Chinese Context

Jie He

doi:10.54097/wv1cf136

Authors

Jie He

DOI:

https://doi.org/10.54097/wv1cf136

Keywords:

Watercolor painting, Ink wash painting, Chinese context, Artistic integration

Abstract

This paper delves deep into the intricate connection between watercolor and ink wash within the Chinese context. By analyzing the influence of ink wash on watercolor in terms of techniques, colors, and artistic conceptions, it reveals the unique charm and value of their integration. It expounds on the distinctive artistic features of Chinese watercolor painting formed during the process of drawing on the schema language of ink wash, as well as its significant role in promoting the exchange and dialogue between Eastern and Western art.

Downloads

Download data is not yet available.

References

[1] Wu Shuyang. Some issues on watercolor painting creation [J]. Art, 1961(06): 24 - 26.

[2] Zhang Yanyuan. Record of Famous Paintings through the Dynasties [M]. Zhejiang People's Fine Arts Publishing House, 2011.

[3] Zhang Yanyuan. Record of Famous Paintings through the Dynasties [M]. Zhejiang People's Fine Arts Publishing House, 2011.

[4] Wang Wei. On Landscape Painting [M]. Zhonghua Book Company, 2018.

[5] Yu Jianhua. A History of Chinese Painting [M]. The Commercial Press, 2015: relevant chapters on the development of painting in the Song, Liao, and Jin dynasties.

[6] Zong Baihua. Artistic Conception [M]. Peking University Press, 2004: relevant chapters on the analysis of the artistic conception of Chinese art.

[7] Li Zehou. The Course of Beauty [M]. Tianjin Academy of Social Sciences Press, 2007: relevant parts discussing the relationship between humans and nature in traditional Chinese art.

[8] Liu Shouxiang. Watercolor Painting Tutorial [M]. Higher Education Press, 2016: content introducing watercolor painting techniques and the use of water.

[9] Liu Yi's Watercolor Works Collection [M]. People's Fine Arts Publishing House, 2010: works and elaboration of creative concepts by Liu Yi can be consulted.

[10] Liu Shouxiang. Research on Watercolor Painting Art [M]. Hubei Fine Arts Publishing House, 2018: chapters on Liu Shouxiang's creative concepts and technique applications.

[11] Qiu Zhenzhong. 167 Exercises in Chinese Calligraphy [M]. Renmin University of China Press, 2005: content related to brushwork techniques of the brush.

[12] Wu Guanzhong. I Owe My Art to Painting: The Autobiography of Wu Guanzhong [M]. People's Literature Publishing House, 2004: parts discussing the characteristics of watercolor art.

[13] Liu Shouxiang. My Path in Watercolor Art [J]. Art Research, 2010(03): 45 - 49.

[14] Research on the Art of Chu Lacquerware [M]. Hubei Fine Arts Publishing House, 2012: chapters related to the color characteristics of Chu lacquerware.

[15] Wang Yong's Watercolor Works Collection [M]. Tianjin People's Fine Arts Publishing House, 2015: works and elaboration of creative concepts by Wang Yong can be consulted.

[16] Zong Baihua. The Realm of Art [M]. The Commercial Press, 2011: theoretical elaboration on the creation of artistic conception.

[17] Huang Shouqi, Zhang Shanwen. Annotations and Translations of “The Book of Changes” [M]. Shanghai Ancient Books Publishing House, 2018: annotations related to the Bi hexagram.

[18] Xiong Libin's Watercolor Works Collection [M]. Sichuan Fine Arts Publishing House, 2016: display and interpretation of “Xiaozhaxi's Winter” and related works.